Don’t look down: A critical analysis of speech acts on floor markings in Ayala Malls TriNoma
Picture this: You enter the grocery store, wearing your mask and face shield, sanitizer held at the ready. You raise your wrist in front of a thermometer, scan the ubiquitous QR code posted by the management, nod at the security guard, and then go shopping. When you are about to pay, there is a queue in front of you and then looking down, there you see those seemingly “new” signs on the floor telling you where to stand or wait. But they’re not new, in fact, they have always been there. What’s new is the circumstance that we are currently going through. What if you did not look down? Will you leave a 1m, 1.5m, or 2m space from the person in front of you? Since we cannot measure right away the exact space, we tend to look for a marker to guide us or give the exact spot where we should wait. Of course, this is not the same for everyone. Some would treat these floor markings with disregard, pretend not to see, or openly do the complete opposite of what these markers intend for people to do. What should these signs contain in terms of visuals, language, and even their placement to make social actor/s follow them? These floor markings then “need to be impactful enough to be adhered to, but also, ideally, to reassure people without making them feel cattle-driven” (Hudson, 2020). Linguistic landscape study offers a way of examining the language on public and private signs, such as floor markings around us, as it is a multi- and inter-disciplinary field. Landry and Bourhis (1997) provided informational and symbolic functions as two basic functions of the linguistic landscape of a territory (p. 25), but sometimes, the boundary between these two becomes blurry.
This study endeavors to look at floor markings through the lens of geosemiotics and Pierre Bourdieu's theory of symbolic capital while analyzing the language by utilizing the speech act theory.
Geosemiotics
Scollon & Scollon (2003) introduced the term geosemiotics, which aims to study what’s inside (social actor, interaction order, and visual semiotics) and outside (place semiotics) of the frame integrated into a single perspective. Geosemiotics is an “integrative view of multiple semiotic systems” (p. 12) that form meanings in places. They looked at multiple semiotic systems at play to prove that choice is implied in all actions. This choice does not necessarily apply to our compliance with these floor markings, but it also applies to us as signs ourselves. Goffman, as cited by Scollon & Scollon, differentiated between the terms give expression and give off expression, with the latter being intentional production of meaning and the former as unintentional (p. 56). What kind of expression do we give (or give off) while standing (or not) on these floor markings? How do these floor markings affect our social interactions and vice versa?
Speech Acts
The words or sentences on the floor markings are worth looking into, as they not only carry the intention of the sign-maker but also perform an act. Austin (1962) said that “the uttering of the sentence is, or is a part of, the doing of an action, which again would not normally be described as, or as ‘just,’ saying something” (p. 5). He calls these utterances performatives, as they perform different kinds of actions rather than say or express something. Let me quote directly from Austin:
It has come to be seen that many specially perplexing words embedded in apparently descriptive statements do not serve to indicate some specially odd additional feature in the reality reported, but to indicate (not to report) the circumstances in which the statement is made or reservations to which it is subject or the way in which it is to be taken and the like. To overlook these possibilities in the way once common is called the descriptive fallacy. (p. 3)
Furthermore, he categorized the speech acts into three: the locutionary act which covers a range of different acts, including the phonetic, the phatic, and the rhetic acts; the illocutionary act which is conventional and has a certain force in saying something; and the perlocutionary act which is the achieving of certain effects by saying something (as cited in Alattar, 2014). On the other hand, Searle (also cited in Alattar, 2014) outlined five types of illocutionary acts: 1) assertives which are employed to form in the addressee a specific idea, proposition, or belief, 2) directives that focus on calling the addressee to action, yet do not require the sender to reciprocate any action of his own, 3) commissives which relate to committing oneself to a future action, 4) expressives which are based on psychological states and relate to the expression of feelings or emotions to the receiver and, 5) declaratives which have the purpose of the speaker bringing into existence the state of affairs described in the propositional content of the message (p. 6). Of course, an utterance may contain one or more speech acts, and theorists after Austin and Searle have always been searching for clearer, distinct, and unambiguous categories of speech acts. For example, Bach & Harnish (cited in Alattar) classified illocutionary acts based on expressed attitudes of the speaker that resulted in a rich diversity of speech act types (p. 8). According to Searle, a speech act can have three possibilities: it may be unsuccessful, successful but defective, successful, and non-defective (p. 13). Illocutionary acts have to satisfy certain conditions to perform something. These conditions are called felicity conditions which are concerned with the purpose of the utterance, not just its grammatical soundness. In the case of requests, there are four conditions:
- Preparatory condition - The hearer is able to perform the act.
- Sincerity condition - The speaker wants the hearer to perform the act.
- Propositional content - Predicates a future act by the hearer
- Essential condition - Counts as an attempt by the speaker to get the hearer to do the act
A Safe Sanctuary: Ayala Malls Trinoma
Figure 4: Floor markings in Landmark Department Store
In Landmark Foodcourt, the markings took a turn for better and more stimulating visuals compared to the simple ones in the department store. A pair of green sneakers lent a casual feel to the atmosphere of the food court, implying that diners here are those who like to keep things ‘chill.’ The use of the politeness marker ‘please’ soften the directive and the verbs ‘keep’ and ‘stay’ do not require the addressee to do anything actively. I find it interesting that there are two logos in every marker, one for Landmark and another for the partner brand, in this case, Golden Oil. When we walked around the dine-in area, the partner brand’s logo would change randomly. I wondered then about the motive behind the change. Is the management maximizing the space for the advertisement of the brands?Gorter (2013) outlined four sociological structuration principles of the theoretical foundations of one of the pioneer studies in linguistic landscape, particularly on the degree of visibility of Hebrew, Arabic, and English on signs (Ben-Rafael, Shohamy, Amara, and Trumper-Hecht, 1998, 2006) and two of those include Goffman’s presentation of self and the good-reasons perspective. The first one considers the floor markings as a representation of the business’ ‘self,’ while the second uses that representation to calculate and anticipate the behavior of the consumers. Shohamy (as cited by Gorter) calls the linguistic landscape a “public arena,” where ideologies are continuously perpetuated (p. 10), and it is our job to recognize them.
Figure 6: Floor marking in Tokyo Tokyo, Ayala Malls TriNoma
The following are the sub-questions:
- How do positioning and placement of floor markings affect the social interaction in commercial establishments?
- How is language used in floor markings?
- Are there significant differences between floor markings inside and outside different commercial establishments in Ayala Malls TriNoma?
Data and Methodology
On November 30, 2021, I ventured to Ayala Malls TriNoma to take photos of floor markings found inside and outside the stores there. Aside from the floor markings/stickers found in Landmark TriNoma, I managed to gather 61 photos of floor markings from 1:00 pm to 5:00 pm further categorized according to function: between shopping (36 stores), dining (19 restaurants/kiosks), and entertainment (6 stores). Scollon & Scollon’s geosemiotic framework was used to analyze the visual semiotics, interaction order, and the place semiotics in relation to the language on the floor markings. 8 out of 61 (13%) floor markings only contain images or icons, so they were excluded from the analysis of the linguistic component. Utterances in 53 floor markings were encoded and analyzed using Austin’s framework of the speech act theory. They were categorized using Searle’s classification of illocutionary acts: assertives, directives, commissives, expressives, and declaratives. The data analysis also includes the examination of deviating floor markings (i.e., those in unconventional visuals, modality, linguistic component, etc.) concerning Bourdieu's notion of symbolic capital.Analysis
In stores categorized under shopping, 6 out of 36 prescribed a specific distance in their floor markings. Most of the stores used their brand colors and logo to distinguish their markings from those signs posted by the mall management. However, high-end luxury stores do not feel the need to attach their brand to the floor markings. Some do away with simple markings or arrows instead of customized floor markings. Gergs (2003) correlates this “confidence” of business to “high consumer loyalty,” where known businesses do not feel the need to attract more customers due to their large following. Despite this factor, politeness markers like ‘please’ and ‘thank you’ are still prevalent in the majority of the markings compared to stores in other categories.
The majority of the signs contain the phrase social distance, which according to Scollon & Scollon (guided by Hall’s work), allows people to treat each other civilly but without interpersonal engagement with someone else in the same space. This definition is at face value as most would define social distance with regards to social standing, or recently, in the Oxford online dictionary, it is defined as the “physical distance maintained between individuals in order to avoid catching or transmitting an infectious disease.” The Covid-19 pandemic triggered neologisms and the appropriation of old terms in our vocabulary. It also shifted the discourse in dining establishments from the usual quality of the food to safety. The most frequently occurring words in signs are ‘care,’ ‘safe,’ and ‘safety,’ giving the impression that as long as the food is prepared safely, other factors like taste take second or third priority. Ironically, floor markings in fast food restaurants do not usually prescribe the usual 1-meter distance between customers due to space constraints or as a strategy to attract more customers. Politeness markers as face-saving strategies are also found on these signs. They aim to soften the directive of the establishment in regulating the flow of people, especially during busy hours when it becomes difficult to maintain social distance. Alattar (2014) observed that there is a “difference between urging the hearer to do something and only suggesting he do it” which lies in the strength of the speaker's expressed intention or desire that the hearer does it (p. 9). Therefore, customers who visit a certain establishment with a certain sign can be compelled to take action depending on the intention behind that sign. Let us look at some of the differences in the strength of intention and visuals in some of the signs studied:
Figure 7: Floor marking in Kashieca, Ayala Malls TriNoma
This floor marking makes use of the expression “OMG!”, a distinct rectangular shape, and brand colors, but not the brand name or logo. By saying, “We missed you so much!” the lengthy lockdown that prevented shoppers from coming to the store was referenced. This was contrasted by the direct order (STAND HERE) and the politeness marker (Please) to remind customers of physical distancing. Interestingly, Kashieca is a local fashion brand for women, and making use of this kind of floor marking reflects their brand’s aim to define femininity. It is also a marketing strategy that hopes to appear warm and friendly by using informal language to establish a relationship with the consumers or identify with them.Figure 8: Floor marking in Steve Madden, Ayala Malls TriNoma
Steve Madden’s visually shocking floor marking does not direct customers to stand on it. It contains left and right arrows to indicate that customers should steer clear of the marking. There is only a declaration of safety being the store’s priority, as well as the gratitude to customers for helping the business achieve it. In this manner, social distancing is implemented by the store assuming without explicit directions. On the other hand, the brand’s colors, logo, and name were not observable in the marking. The realistic image of a woman wearing pink sunglasses and a leopard print mask indicates an offer to the customer while referencing the pandemic. Furthermore, the absence of locals in the store and the woman in the image’s blonde hair and blue eyes imply that this is an international designer brand that ordinary Filipinos cannot afford.Figure 9: Floor marking in Jo Malone, Ayala Malls TriNoma
These floor markings transcend boundaries as they are just sets of shoe prints throughout the store. There are no circles around the prints that function as arrows to show the way to the cashier. Jo Malone’s markings may have been there pre-Covid due to their ambiguity. This could also be their strategy to appear classic and minimalist to establish identity with their products and customers.Figure 10: Floor marking in Llao Llao, Ayala Malls TriNoma
The play on the words ‘for your’ (replaced by ‘froyo’ which means frozen yogurt) and the distinct size and shape of the floor markings in Llao Llao highly demonstrate its symbolic capital. Its use of lowercase letters, politeness marker, brand colors, distinct font, and words like care and safety contribute to its intention of identifying with its customers. Standing on the marker implies that the customer would be safe because the business declares that it cares for their safety. As an afterthought, social distancing was also written at the bottom of the floor marking.Figure 11: Floor markings in UCC, Ayala Malls TriNoma
Unlike other stores that make their business appear as consumer-friendly as possible, UCC adopts a floor marking that looks like an official top-down sign due to the striped yellow and black border of the sign at the entrance. Another factor to consider is the presence of a security guard stationed at the entrance of the cafe. The sign also contains images (a person wearing a mask and two people maintaining 1 meter of distance between them), making UCC the only cafe/restaurant observed that has a floor marking that promotes 1-meter distance (even converted in feet = 3 feet). This shows the adherence of the cafe to strict health protocols in the country, which could be beneficial to the business as safety is now prioritized over everything else however, some customers may find the strict adherence off-putting.Figure 12: Floor markings in The Coffee Bean and Tea Leaf, Ayala Malls TriNoma
The Coffee Bean and Tea Leaf thrives in a variety of their floor markings. It directly addresses the consumer waiting in line and uses expressives, directives, and assertives to make the consumers follow them on social media, wait, anticipate their favorite drink, and feel entitled to receiving a temporary space while waiting for overpriced coffee. This strategy also says a lot about the target audience of the signs (e.g., those who have social media, the young and trendy, etc.), afraid that they would get bored of conventional, redundant markings. Indeed, this business cares more about its symbolic capital by sparing time and effort to design these floor markings to appear as exciting as their customers.Conclusion
This study found that there are two kinds of floor markings: those that urge you to stand around them and those that direct you to stand on top of them. It is our choice as consumers whether we follow those signs or not. Furthermore, the size, placement, and prescribed distance on floor markings found in each store are related to the business’ projected profit, target clientele, and symbolic capital. Small businesses spend the time, money, and effort to widen their reach by customizing the signs found in their physical and online stores, while some multinational corporations seldom feel the need to customize their floor stickers/markings with their brand name or logo due to established high consumer loyalty. The majority of the linguistic component tends to be ambiguous or vague when using illocutionary acts such as expressives or assertives. In conclusion, the language, position, placement, and visual semiotics of the floor markings in relation to the social interaction order contribute to the increase or decrease of the symbolic capital of commercial establishments.Remarkably, these floor markers promote individuality, as they are designed to place one person in a specific space and time. What they failed to predict was there will come a time when the single would be preferred over the with, and doing nothing but wait would be the norm. According to Scollon & Scollon, “what the single almost never does in public is nothing” (p. 176) with respect to the socially marginalized people in socially marginalized places.
This study covered only one mall in a city where capitalism thrives, especially during the pandemic. Future studies could investigate floor markings in banks, grocery stores, and other commercial establishments because now, we are suddenly aware of them. This sudden awareness proves that as humans situated in the material world, we cannot keep on ignoring the signs that are populating our environment. It is so easy to stay locked up in the comfort of our own homes while others suffer outside. Just look down; you might find that looking down does not always mean surrender.∎
P.S. Here’s my repository of photos if you want to see it.
References
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